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Skulls in art: from memento mori to hope

In art, skulls have been, since ancient times, one of the most powerful symbols to reflect on the human condition. Their presence in ancient painting not only responds to a disturbing aesthetic, but to a deep philosophical and spiritual charge that crosses

Sarah Grilo or when metropolis became art

The concept of the wall as a canvas does not arise in isolation, but as a response to the saturation of the metropolis. Before Sarah Grilo turned urban typography into poetry, other pioneers had already understood that the wall is the raw