The Lady of Elche through the eyes of Manolo Valdés

Valdés’ vision of the iconic Iberian sculpture

Proof of the prestige achieved by the artist of Valencian origin is found in the monumental sculpture of 18 meters composed of 22,000 heads of cobalt blue ceramics that presides over the Avenida de las Cortes Valencianas in his hometown. Inaugurated in 2007 thanks to a patronage agreement signed by the Valencia City Council, Manolo Valdés and the promoters Lladró and Vallehermoso, this work has become a true symbol, not only of the city, but also of our cultural roots.

"Iberian Lady" by Manolo Valdés- 2007

The sculpture that Setdart presents is the reduced-scale model that Valdés made in 2003. Through it we can appreciate how the artist carries out a tremendous exercise of reinterpretation and recontextualization of the history of art itself, rescuing and taking from it those aspects that he considers most appropriate. Each element of the sculpture, crafted with a meticulous assembly technique, becomes an excellent testimony to Valdés’ mastery of materials and his ability to create forms that transcend the conventional. In a perfect fusion between tradition and modernity, Valdés intertwines elements of ancient statuary with a contemporary vision that challenges and redefines the limits of art.

Lot 35316783
Lot 35316783

The formal elements of Iberian sculpture, characterised by the complex headdress profusely ornamented on both sides of the woman’s face, are synthesised in Valdés’ work with surprising simplicity and geometric symmetry. This synthesis shows a modern aesthetic conception that, at the same time, maintains the elegance and majesty of the original theme. In addition, glazed ceramics reflect and refract light, capturing the chromatic changes that occur throughout the day and creating a hypnotic effect that varies according to the observer’s perspective.

Detail of the lot 35316783
Detail of the lot 35316783

The work that acts as a bridge between our past and present is, therefore, a magnificent investment for collectors, not only for its undoubted artistic value, but also for the tangible connection it establishes with the Spanish cultural heritage. Undoubtedly, whoever incorporates ‘The Iberian Lady’ into their collection will acquire a piece that is absolutely representative of the legacy of one of the most influential and prestigious artists on the current art scene.

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